The Annotated Artwork: Fuller’s Dymaxion Houses
Fuller, best remembered as the inventor of the geodesic dome, was an absolute idea machine.

Two Chinas: Chen Qiulin and Yun-Fei Ji (Fri, Jul 4)
Worcester Art Museum, 55 Salisbury Street, Worcester, MA
Two Chinas: Chen Qiulin and Yun-Fei Ji considers the rapidly changing conditions in China through the lens of new acquisitions created by two young Chinese artists, Chen Qiulin (b. 1975) and Yun-Fei Ji (b. 1963). Both artists have responded to the altered landscapes and human displacement caused by flooding, which is a result of China's Three Gorges Dam project. Chen Qiulin uses video in Bie Fu (Farewell Poem), from 2003, to revisit her childhood memories and China's past amidst the rubble of Wanzhou, her hometown and one of the cities flooded by the dam project. In Yun-Fei Ji's monumental scroll-like painting, Below the 143 Meter Mark, from 2006, allusions to classical landscape painting are transformed by grim contemporary details - houses and hillsides crumbling, a ghost town littered with abandoned bundles and bicycles. Sponsored by: This exhibition is supported by the Don and Mary Melville Contemporary Art Fund, The Clayton F. & Ruth L. Hawkridge Foundation, and The Martin Salomon Morton & Gustel Schreiber Morton Foundation. Additional generous support provided by Worcester Magazine.. Cost: Free with Museum admission. Sundays, Wednesdays, Thursdays, Fridays, Saturdays, through Sep 21.

Vincent Van Gogh
Sunflowers - to view a bigger display of this print plus attain supplementary info associated with this Vincent Van Gogh fine art giclee print, click the artist text over the little depiction. Also get buying, frame and size advice for this gallery poster. Vincent Van Gogh has produced a good amount of more wall giclee prints in a similar style as "Sunflowers", look at more of this artists framed and unframed art poster prints.

Stepping Outside the "Financial Box"
We are all in a certain financial place – our "box" – and it is important that we not only are aware of where we are, but that we take actual steps to get out of it, if we want our financial lives to improve.

Eleanor Harwood at Lincart Gallery
As befits a painter who started a curatorial program at the Adobe Bookshop in San Francisco, Eleanor Harwood loves stories. "Everything I do has a narrative," Harwood says. "Even when there are abstract shapes, they have a story. ... Whenever I put together a...

01SJ lends high-tech San Jose an artsy air
San Jose has struggled with the question of how to put itself on its region's cultural map for years. Its best answer so far: 01SJ: A Global Festival of Art on the Edge, a citywide biennial whose second edition opened to a large, excited audience of locals...

NYU's Grey Art Gallery Exhibition Highlights Early Works of Diebenkorn
Diebenkorn in New Mexico is the first museum examination of a seminal moment in the career of artist Richard Diebenkorn when, between 1950 and 1952, he was enrolled in the graduate fine arts department at the University of New Mexico in Albuquerque. Supported by the G.I. Bill and distanced from the art worlds of both East and West coasts, Diebenkorn produced astonishingly mature and beautiful works that have, until now, remained relatively unknown. On view at the Grey Art Gallery at New York University from January 25 through April 5, 2008, the show includes some 40 paintings and drawings from museums and private collections, as well as from the Diebenkorn estate, many of which are being exhibited together for the first time. Diebenkorn in New Mexico on view at the Grey Art Gallery January 25 through April 5, 2008.