Steve Thoms
Field of Red and Gold - to get a large thumbnail as well as find out greater updates in reference to this Steve Thoms wall image , click the artists text connected with the reduced image of the print to your left side. Obtain purchasing, safe framing methods and measurement info for this wall reproduction. Steve Thoms is an acclaimed artist and has made various gallery art posters similar to "Field of Red and Gold", review the artist archive for other gallery reproductions.

Steve Thoms
Poppies - to see a bigger size copy of this print as well as look over other research on this Steve Thoms wall art work, mouse click the artists inscription on top of the thumbnail. There is additional purchasing, conservation framing and size information for this museum reproduction. Steve Thoms is a well-known artist and has created numerous gallery artworks similar to "Poppies", examine this artists framed and unframed wall art giclees.

The Medium: Sepia No More
Forget the art-school aesthetic. Photo-sharing Web sites have their own ideas about beauty.

Leonardo da Vinci
The Last Supper, c.1498 - to view a larger depiction of this print as well as look over further updates on this Leonardo da Vinci gallery giclee print, go through the artists title slightly the little depiction to your left side. You can also view purchasing, framing and dimension consumer guidance for this artist image . Leonardo da Vinci is one of the foremost selling artists and has a large amount of other art giclee prints like "The Last Supper, c.1498", check out their other art giclees.

At a Haven for Creative Souls, a Prolific Talent Is Affirmed
An eccentric, lost talent was revived at the Chelsea Hotel when the lives of two artists, a generation apart, intersected.

008 Set in Stone: The Face in Medieval Sculpture
Museum Director Philippe de Montebello provides the historical context behind these medieval sculpted heads, recalling their importance as icons and symbols of power.

Wall at WAM: Alexander Ross (Sat, May 17)
Worcester Art Museum, 55 Salisbury Street, Worcester, MA
Known for paintings that are uniquely hybrid in nature, Alexander Ross produced a project for the Museum's Wall at WAM series that adapts his imagery and technique for the second-story setting and grand scale of the Renaissance Court. The result is a new kind of hybrid based on clay elements, photography, drawing and inkjet, which creates a frieze-like expanse activating the entire sixty-seven foot wall. For all their obvious differences, Ross' mural shares with the ancient Worcester Hunt mosaic, located below, an action and aesthetic that are notable for disorienting shifts in scale, non-illusionistic space, and moments of improvisation within a system of representation. Although separated by 1500 years, the mosaic and Ross' mural powerfully emulate human emotions, then and now, about the external world. You have to see it to believe it! Cost: Free with Museum admission. Sundays, Wednesdays, Thursdays, Fridays, Saturdays, through Oct 5.

Close Reading: Now You See It, Now You Don?t
Developers have become magicians in the way they tailor architectural renderings for public consumption. Case in point: the design for the West Side railyards.